Start Up a Nude Photography Business
Copyright 2005 Roy Barker
There are major obstacles to overcome to get into nude photography,
not least of which is the need to practise technique. By its very nature
there has to be at least one subject, and the big problem for the photographer
here is image. To some the image of nude photographer is tied in with the
�dirty Macintosh� brigade, with the false wig and dark glasses.
Not everyone believes the adage that an erotic photograph, does not
have to be nude, and a nude photograph is not necessarily erotic. The biggest
challenge is to find a suitable model, and certainly in small town rural
backwater areas, it is not the brightest propaganda move to put an advertisement
in the Post Office window. It is also suspect to approach someone in the
street.
Impeccable credentials help here, an image of a bona fide photographer,
with a studio, and a business card with a portfolio. A professionally created
business card also helps; a ripped off part of an old envelope invites
suspicion. It is not necessary to have a portfolio of nudes, but it is
essential as an aid of creating the feeling of trust. It can be very helpful
to not tell a prospective model what you do, but show them, and depending
on their responses take it from there.
A lot of nude photographers start with a self portrait an this is better
than nothing in some cases. There are several other methods that can be
used to find people to model. Your first option is to hire professional
(glamour) models. That can be expensive, and they're not often familiar
with that type of work. The second option is to hire amateur models, or
perhaps even nude still life models, the problem here is that the latter
will have no inhibitions taking their clothes off, and may be able to sit
still and hold a specific pose for long periods of time, however they may
not be the best models to animate themselves. The third option is not to
pay a model at all, but find someone with a vested interest in making a
portfolio work. Whilst thinking about this matter during the research for
this article it occurred to me, that the ideal person, would be someone
who would be prepared to model in exchange for a portfolio, or other photographic
service. In other words, a model who has a reason to make the session work
will undoubtedly put more effort into overcoming any technical difficulties.
Perhaps you know someone who is pregnant who might want to model in exchange
for the photos.
Secondly that type of model will produce better results, than some eighteen
year olds with a perfect body and a bad attitude. A personal model with
enthusiasm to explore different perspectives and techniques has to produce
better results than a wooden, but perfect doll. It does not alter the fact
that your model must be at peace with the thought of nude modelling as
a whole, but a sensitive relationship with the photographer will work wonders
here. The rules are no different for a photographer here than a portrait
photographer, he or she must first have self confidence. If you cannot
get that across to your model he or she will be reluctant to give it their
best shot.
This type of photography is striving for a look that is natural, and
even has a look that it has not been posed for at all. Comfort is essential
not just physical comfort though that is important, but mental comfort,
the model must be able to understand the concept behind what you are trying
to do so that she can co-operate. You have to take the time to explain
the techniques of flattering compositions, but equally the model has to
work on being fluid and graceful in these motions.
A good relationship with your model built on confidence is essential
when you come to evaluate and criticise the work. Your first session will
create the tone for future work, but that is when a model will be her most
nervous, a way of getting over this barrier might be to ask her to come
accompanied, and that may make for a lighter more relaxed session.
Working with the same model over a number of sessions builds up a rapport,
and helps the model learn what works in the images, and what doesn't. She
has to be able to see the completed image, before this is really possible.
As the model becomes more familiar with how you work and experiences the
crucial processes of making an image, the model becomes better at generating
poses which work for you, and on the whole, the number of successful images
increases.
The locations for this type of photography is not important in terms
of the finished image, but it needs to be a little circumspect, or you
have to take along a person who watches for stray wanderers if it is outdoors.
Lighting normally seems to be better if it is natural, but a single candle
can be effective particularly with the use of an older model.
It is important to think ahead before this type of assignment and instruct
a model to wear lose clothing and possibly no underwear as strap marks
into the skin can take a long time to subside and will ruin the final shots.
Once you have managed to break into this type of work there are many
stock libraries that specialise in this type of work.
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Publisher & author: Roy Barker. Roy is the author of the popular
ebook, Income from Photography - a downloadable ebook which guides the
reader on how to make good money from photography. It can be viewed at
http://www.profitable-photography.com.
Other related and reviewed services & research sources can be found
at http://www.profitable-photography.com/html/117/
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